Sunday, November 29, 2009

Event: ROCK FOR PEACE


In the present times terrorism is the major issue for the world and Pakistan is the biggest Victim of it. So, we have taken an initiative to show that our youth is against violence and terrorism.

Date: Sunday, December 13, 2009
Time: 3:00pm - 8:00pm
Location: Bahria Town
Ticket Price: Rs.750

HELLBOX and CORE Proudly presents "ROCK FOR PEACE"
Their first collaboration
Bringing their expertise and huge portfolios together
The biggest Charity Event of the year
An Unforgetable Night With Notching Stars
FEATURING

ATIF ASLAM
NOORI
CALL
OVERLOAD
ANNIE
FALAK
RUIN the band
&
AN the band

Bahria Town, Known as One of The Most Prestegious and Safest Venue, Invites You to Show Your Dedication for Promotion of Peace
Come to Join Hands to Tell the world
We Want Peace

posted by: Muhammad Salman

Back with a bang

The Pakistani rock band familiar with the audiences and viewers all around the globe "Inteha" needs not much introduction. They came into limelight internationally after there song Pyaar which was declared best of week on BBC radio in U.K.. This was a huge achievement for a Pakistani singer and for Pakistan.
The band, Inteha is basically a rock band consisting of two talented brothers Naukhez Javed and Nausher Javed. Recently, their fourth video Kuch kehna chata hoon from their first album has been released. This is also the title track of the album. So far, the band has come up with three videos. Their first video was called Daastaan and was directed by Marium Aziz whereas Munib Nawaz did wardrobe and styling. The second video of the song titled, Anjana was directed by Xulfi (Call band), which, is one of his best videos. The wardrobe was maintained by Ammar Bilal and styling by Nabila. The third video was directed by Abrar-ul-Hassan and Munib Nawaz did the wardrobe. These videos have topped the musical charts and received a huge appreciation from their fans.
This is a major success for Nausher Javed as a Director, a marked improvement from there last video. Mahid Khawar has done the wardrobe and styling is done by Rhizwan and post by Post House. The video is diverse new and fresh. Both the members share the same number, amount of shots and a significant change from the last video. This is also a debut music video of the model Kiran.
The video highlights the concept of physical beauty and elegance. A beautiful girl is dressed in Eastern style and singer tries to express her beauty in words. Nausher Javed, is the main force behind this video.
Apart from playing guitars and bass, he composes music and pens down most of lyrics. Individually, he is gaining tremendous respect as a musician. He has done a tremendous job as a Director and proved himself as a competent musician.
The video is shot at a farmhouse and Nausher has used natural surroundings like greenery for his work. No special effects have been used and songs are a combination of Eastern and Western influences. Instruments played in the song are guitar, violin, drum, keyboard and bass.
According to the vocalist Naukhez Javed, ?We are pleased to hear the positive reviews of our latest song Kehna Chahta Hoon. The song expresses the theme of love and passion.? Nausher Javed, the director of this song said,” It is supposed to be direct and goes well with the guitar.?
They are relasing the first video of their much-anticipated album. Kuch kehna chata hoon has become one of the best selling albums of this year. Violin, Flute and tabla are used in this album.

posted by: Muhammad Salman

Wednesday, November 25, 2009

Pakistan's Music Still Rocking

Pakistan music industry is also suffering a heavy loss as the other industries in Pakistan because of intense security issues and economic fall back of the country. Pakistans music has been around for longer than that of tibalans and mujhadins. in 1960s Pakistans cities rocked because of huge availability of vanues and mostly the bands came forward at that time were from Christian Community.
In Lahore music battered in 1080s with the help of audio/video cassettes of rock albums and videos footages of concerts. Newly formed bands used to gether at AlHemra Hall Non 1 for the most of the concerts and regularly staged "Battle Of Bands". Vital Signs (1987-1995) managed to seep through the cracks and were signed by Papsi for the first time to bring rock/pop music into mainstream. They were fallowed by a string of boyish pop acts, which set the stage for Junoon's mass success.
In 1990s scene became populated by independent acts performing some original compositions of english bands such as Black Sabbath and others. This independent music scene attracted a lot of media attention. All of a sudden media changed the outlook of Pakistani Music in 2000. From Pepsi Battle Of Bands and talent hunt show a band named Entity Paradigm came forward. They further changed the outlook of rock music. They introduced english rap for4 the first time in Pakistani music.
Corporate interests aside, the live music scene since 2001 has come under threat of terrorist attacks on large gatherings. Bands have been complaining for years that they are unable to put up shows because lack of funding, and that revenue from ticket sales is inadequate due to security concerns.It is true that rock has served as an emotional outlet for youth in Pakistan over the decades. And while kids these days seem up to the challenge of using their instruments to express themselves, a lack of venues and limited public access is shutting them out of the cultural space.
With only a couple of record labels, and prohibitively expensive recording studios, rock music doesn't enjoy much support. A band's only real hope of hitting it big is corporate endorsement, and we all know marketing money usually goes on safe bets, rather than unruly, politically charged and opinionated youngsters. The double whammy of the recession and security concerns has further stifled the growth of such creative movements.

Underground History

The term underground applies to different artistic moments such as psychedelic music moments of mid 1960s.This term is now more related to artists/bands who avoids becoming mainstream. In modern popular music the term underground refers to bands and artists that are signed with independent record labels, and they typically perform in small venues and promote their music through word-of-mouth and internet sites. In some cases the content of music is illegal and controversial.Shalom Sheer’s "philosophy for artists" argues that there are three common misconceptions about the "underground": that it refers exclusively to the rave/electronic scene; that it can be described with a vague, broad definition of "anything which is not mainstream"; and the myth that underground music is kept secret;he points out that no band or performer "exclude virtually anyone or anything" using "secret passwords and hidden map points".Even some musical styles that eventually became mainstream, commercialized pop styles started out as underground music. Late 1970s disco is often considered to be a much commercialized type of pop music. However, before discos mainstream adoption in 1977 and 1978, disco records were underground music created by nightclub DJs for the gay dance club scene. Similarly, hip hop began "on the streets"; in the early 1980s, rappers did beat boxing and made up rhymes for tiny underground labels. Genres such as new wave, alternative rock, grunge, various forms of heavy metal, grind core, electronic, outsider music, and experimental music, also trace their roots to underground scenes.

Sunday, November 22, 2009

Introducing ‘13’

Critics now a days would say that local music scenes growth curve has tipped its way into chasm of coexistence of opposing attitudes or feelings, but the fact is that most these video makers are not aware or bother to do something new and eye catching. This case is same for both old and new people in this field.
Now a day it only matters that how aggressively your music or your band is “promoted”. Probably this is because these days no one has time to sit in front of TV for hours and switch between local music channels to watch videos. Instead people are more tuned into the “World Wide Web”. This the way by which local bands like Zeb and Haniya, Sahil, Arooj Aftab and many others got promoted by newspaper agencies, radio stations and television channels.
This story is somewhat similar for this new band "13" also. They haven't hit media jackpot yet but they hope to.
Comprising of Faraz Ahmed, Ian Eldred and Wahaj. Three of them have some associations with the music field before.
“The band ‘13’ was formed in 2006 with myself and Hassan Taimur”, Faraz states, “We’d been playing with a lot of underground bands in Pakistan such as ‘The Trip’, ‘Noori’ and Mekaal Hasan's project ‘Bare Chords’, among the lot. In 2005 Hassan and I were asked to play with an American Opera singer called Heather Schmid who was touring Pakistan and raising funds for the earthquake victims at the time.”
Soon after, Hassan left Pakistan to pursue higher studies abroad, resulting in the introduction of Ian and Wahaj to ‘13’.
Interestingly, via 13’s internet promotion, I’d learnt that the band also included a young female drummer called Mehreen Baxm.
“She’s Pakistan's first professional girl drummer who is also involved in composing, lyric-writing, designing and promotions for our band”, Faraz states, “But currently she’s on indefinite hiatus due to a demanding program at a university in Georgia, United States.”
So considering the band’s played at public and private gigs, do they plan on releasing an album (since that stands as Step Number 2 for any new band entering into the local music scene)?
“With there being only one major record label in the country”, Faraz answers, “The window of opportunity has constricted which means less variegation within the music industry. Foreign labels are a hard deal because without an agent most bands get lost in some corner of the information highway.”
Fair enough. But a music video, then? “Yes we plan to make a video for our debut song and we’re currently looking for sponsors, even though the rubrics most of these potential sponsors we approach are addling at best - for example we had two different people within one corporation tell us that our music was not commercial and grunge enough but yet was also too commercial in nature to be considered marketable rock/pop”.
Faraz then goes on to state something which has been echoed by our local musicians, young and old, over the years; “You see it’s a very discernible and disturbing phenomenon, if you want to be a sure fire hit today and have the backing of a host of sponsors then unfortunately you will have to sell your ideals and principles by letting go of the music that you truly want to play and share with other people. Eventually you must become a cardboard cut-out that can be stereotyped and easily packaged by people ‘showing you the money’. It is terribly deleterious and can only mean the slow and attritional emaciation of diversity and heterogeneity.”
Part of the rock scene in Melbourne, Australia (in the 90s), Faraz, on his arrival back in Pakistan joined the Lahori underground scene in 2001 (and played with a few bands as mentioned earlier).
“Music had gall back then – from the late 90s to 2003”, he says, “Music was more than just an end to a means, it was collective consciousness, everyone was part of something, something that was just invigorating, facultative and binding. It wasn’t just a bunch of snooty-nosed kids playing guitars and indulging in all sorts of bourgeois nonsense”.
But of the music scene as it stands currently? Faraz remains optimistic. While the political and economic vista of the country may appear to be in shambles, Pakistani musicians – like each of us - have developed a to-hell-with-it attitude...carrying on with what they know best, yet dealing with it pragmatically on a day to day basis.
So whether or not the returns don’t flow in as soon and/or as much as they should, and whether or not record deals are struck (or lost) the local music scene is and always will be, in constant metamorphosis.

Posted By "Umair Zafar Siddiqi"